Adriano Rosselli (b.1988) is an Australian artist and curator working out of Berlin. While studying at National Art School in Sydney, Adriano founded MILS Gallery. Serving as the director for 7 years, he curated over 50 exhibitions featuring the work of young australian artists alongside works of non-western artists, notably; Ga Coffins: Ritual coffins from Ghana, Kinngait: Prints from the Canadian Arctic, Mouneer al Sharaani’s Arabic Calligraphy Compositions and In Defence of Self: Shields from PNG and SYD . Since 2013, Adriano began remotely contributing to the newly resurfaced experimental sound and art festival - Berlin Atonal. In 2017, Adriano closed MILS gallery to begin work as a curator at Berlin Atonal. Since joining, the festival’s scope has widened to include artists from outside the fields of music and sound and has gained recognition amongst contemporary artists as a platform to explore territories where sonic and visual art-forms exist interdependently. These hybrid art-forms, powered by unconventional exhibition formats, were most evident in Metabolic Rift, 2021 and remains fundamental in Adriano’s latest projects; Techno, Berlin und die große Freiheit and Universal Metabolism.
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